Were these dancers someone that he knew and have since passed away? It just works. The outfits alone make this video worth discussion. Weitere Ideen zu musik, musikvideos, lindsey stirling. Für ihre Musikvideos lassen sich unsere egoKünstler*innen immer wieder besonders tolles Zeug einfallen. Plenty of artists have tried to make videos that capture the experience of quarantine, but Lauv may be the only one who’s truly succeeded. —Ellen Johnson, Earlier this year, Christine and the Queens released a surprise EP with an accompanying short film titled La vita nuova. But released amidst global shutdowns and directives to stay home, the video took on an almost freakish relevance. Every scene in “Compensating” is vivid and visually pleasing, from the bright pink bathwater to the alphabet soup spelling out “Steve Nash.”. inspired by Japan when the cherry blossoms bloom, “Mother’s Daughter” was the runner-up on our ranking of 2019’s best videos, rich metaphorical resonance, winks to fans, bona fide fashion show of tasteful two-piece outfits, so even though “Boyfriend” isn’t one of her best songs, it demolished the record for the biggest premiere in YouTube history, open about relying too heavily on technology and social media, performed by the Slovenian MN Dance Company in an abandoned shopping mall, recurring metaphor on their most recent album, a salute to some of Halsey’s female idols, praised his respectful behaviour, calling him a “consent king”, the endless amusement of angry, horny conservative pundits, given the traumas that both women have endured, who’s actually a featured artist on the song, when it comes to translating her music into a visual feast, this video is a painstakingly styled and deeply impressive enterprise, countless details that pay homage to pan-Africanism, Give us your thoughts on these small business practices to win a $250 Westfield gift card, What it takes to stage a $14 million NYC apartment, Doing these 24 uncomfortable things will pay off forever, Yes, Apple just killed iTunes — here's what that means for your library of music, movies, and TV shows. “Rain on Me” is everything you’d want from a powerhouse pop duo joining forces – and it’s a bonus that Lady Gaga was able to bring Ariana Grande so gracefully into her strange, highly choreographed world. Lead singer Zach Choy’s (the group are adamant not to call him a frontman, doubling down on their decentralized model) vocals are positively waggish as their guitars squawk with an art-rock-meets-funk vivacity. But on rarer occasions, a music video can revitalize a fledgling single, introduce a new aesthetic era, or act as a vehicle for deeper self-expression. They’re ranked below in descending order. The 18 Best Music Videos of 2020 (So Far) 1. The song is unabashedly, gloriously filthy, and only a video that appropriately celebrates Cardi B and Megan Thee Stallion – meaning both their talent and their curves – could have done it proper justice. “Attack of Panic” has a restless, haunting quality that sticks in your brain. Visit Insider’s homepage for more stories. The video opens with Hadreas taking a big, confrontational puff of a cigar, donning a dirty white tank top as he occupies a prairie farm. Best Music Videos 2020 | Top Clips 2020 Playlist ===== We are really glad that you are here, with us! That both of those clips landed in the two top spots on this list should come as no surprise. It’s a symbol for the messy interconnectedness of sisterhood, plus there’s a pretty sunset in the background. The dapper singer-songwriter floats around a rooftop at dusk, flashing grins at the camera and fidgeting with his jacket. From a juicy beachside frolic to a Nashville apocalypse to a drag queen’s personal hell, here are the best music videos from 2020 so far, listed in alphabetical order by artist. “What a Man Gotta Do” isn’t quite so brilliant as “Sucker,” but anytime the Jonas Brothers enlist Sophie Turner for a music video, they have got my attention. There’s several gorgeous shots of the famed Parisian opera house, with styling that reflects the eclectic blend of baroque, classic and renaissance architecture present within the building. Like much of REI AMI’s music, “Dictator” delights in duality, switching gears halfway through to explore an entirely different mood. Despite expressing disappointment in her lover, Selena Gomez frolics and glistens in a woodland fairytale, perhaps meant to represent the magical landscape of her own mind. The music video is a pink and purple pop landscape featuring lots of latex, raining knives (?!) Honestly, it’s heart-wrenching. “I wrote the song from a woman’s perspective – but I do feel like that woman sometimes,” Bad Bunny explained. Truly nothing in this world sounds as scandalously enticing as frolicking through a beach party hosted by a horn-dog Harry Styles, but since that is impossible for a number of reasons, the pure delight of watching this video will have to suffice. As previously noted, "Already" completes the set … Of course, given who Hadreas has been as an artist so far, it feels intentionally iconoclastic, a play on masculine expectations and boundaries. Die besten Musikvideos ausgesucht und für gut befunden von der Tonspion Redaktion. The storyline is a little disorganized, but it actually works, making this chaotic version of the song a lot more enjoyable. Cam wrote it for her husband, and it’s about going all in on a relationship. … You can pause “Already” at literally any moment and it will look like a painting. Every detail is deliciously on target, from the dark, fiery tear-stains painted onto Halsey’s face to the cheetah-clad reference to Shania Twain’s “That Don’t Impress Me Much.”. It looks and feels like Cyrus is in her element, and it’s always refreshing to see an artist absolutely nail their new aesthetic direction. But the sleek convertible isn’t even the best part: The Weeknd dances through the streets in a crazed Joker-style, parades through empty ballrooms and smokes a cigarette like it’s his last. References to Michael Jackson and DC Comics’ villainous Joker seem relatively clear, but The Weeknd finally seems to have a solid grasp on the kind of unique artist he wants to be. Dieser Pinnwand folgen 277 Nutzer auf Pinterest. “Brown Skin Girl” is just one of two clips from Beyoncé’s newest visual album that she’s specifically released on YouTube – so this is one of only two performances in “Black Is King” that Insider deemed as a valid “music video” for our ranking purposes (even though every single one is iconic). Nick and Priyanka have the “sexy couple” thing, Joe and Sophie have the “funny couple” thing, and Kevin and Danielle have the “romantic couple” thing. Weitere Ideen zu Musik, Musikvideos, Lieder. It’s not easy to self-direct a music video for a surprise lead single during a global pandemic. Surrounded by the ornate, gilded architecture of the Los Angeles Theatre, the band’s seven members adopt an air of seriousness and grace. Firstly, it’s wonderful to see BLACKPINK having a moment, and all four of those girls really know how to work a camera. With cutting lyrics like “I’m so glad I never ever had a baby with you / ‘Cause you can’t love nothing unless there’s something in it for you” – largely inspired by country music’s history of petty and powerful breakup bops – this song always deserved an equally splashy, dauntless visual. 29.08.2020 - Erkunde Sergiy Sts Pinnwand „beste“ auf Pinterest. There’s just something so charming about watching these newly reunited brothers, who grew up in the public eye, unselfconsciously celebrate how much they love their wives – and adopt it so wholeheartedly into their band’s brand. Images of these two scenes are then superimposed, resulting in an artful, emotional surge. Follow Business Insider Australia on Facebook, Twitter, LinkedIn, and Instagram. Arca’s very existence defies conventions—not to mention the challenging experimental soundscapes... 2. As an outspoken advocate for LGBTQ rights, Bad Bunny excels at creating Trojan Horse art, forcing you to pay attention to injustice; the visual pays homage to Alexa Negrón Luciano, a transgender woman who was murdered and then misgendered by the media. It expertly combines the upbeat, poppy tone of the song and the hopeful uncertainty of its lyrics. The camera often lingers on the singer as he gazes off, his expression betraying an exquisite sadness. The message of “TKN” is ambiguous, much like the meaning of the acronym itself, but one thing is for certain: Every single person in this video has enormous star power, including the children. They’re ranked below in descending order. The music video, directed by David Allen & Nathan Faustyn, and produced by HLPTV & LooseMeat.Biz, is actually based on a viral video clip titled “Puppet trolling viewer during the concert live on Brazilian TV.” The band apparently became obsessed with the clip and knew they wanted to recreate it themselves. When a song is paired with the right kind of spectacle, it has far greater potential to be absorbed into pop culture mythology. A video that begins with Lipa plunging her hand into a man’s chest and pulling out his still-beating heart? Most of her best videos are vaguely freaky (“Fetish”) or twisty and sinister (“Hands to Myself”), so even though “Boyfriend” isn’t one of her best songs, the video deserves a spot in her visual hall of fame. These new settings are rendered to look lifelike, but they still have an artificial sheen, almost like a video game. The 8-year-old is also filmed alongside her mother, grandmother, and younger sister Rumi, emphasising the generational ties and feminine strength in the Knowles family. As previously noted, “Already” completes the set of two “Black Is King” performances that Beyoncé released separately as “music videos.”. The whole video is indulgent, and I’m not even sure what the point is, but it has the feel of a thrilling amusement park ride (specifically the Tron test track ride at Disney World’s Epcot—anyone?). The palatial cinematography and deep tones of blue and green almost seem soothing. Secondly, Selena Gomez did that. The bold visuals double down on the content of the song, which condemns sexual harassment with the triumphant declaration, “I twerk alone.”. “Blinding Lights” embodies everything that’s made The Weeknd’s newest era so successful. By setting the video in an “ethereal forest dream,” Gomez suggests that spending time alone is natural, and that she came to these conclusions (“I’m special,” “I’m so rare”) by exploring her own psyche – rather than relying on others to tell her. —Lizzie Manno, Dehd play around with the ideas of heaven and hell during this uproarious video for the lead single from their new album Flower of Devotion, “Loner.” A strung-out drag queen falls into a rather stark interpretation of hell, only to dance with the devil and reclaim her wings in the process. The video for “Say So” compliments the song’s retro, carefree energy. The video seems to explore their place in Hollywood and the status quo of Western art – or, perhaps, interrogate the meaning of music and performance without applause or acclaim. It also takes a standout lyric and brings it to life – “He ain’t never seen it in a dress like this / He ain’t never even been impressed like this” – as Doja Cat struts around a glass mansion, trying to seduce a repairman in a variety of glittering, curve-hugging looks. Weitere Ideen zu Musik, Musikvideos, Berühmte album cover. The smart, sensual song plays along as hurricanes and debris swarm around Nashville landmarks while saloon-dwellers (including a couple of gay cowboys, which is still a touchstone worth making a note of in country music, even in 2020) take their last breaths—and drinks. “This song is about impostor syndrome,” Bridgers says. The visuals for “Cardigan” perfectly match the mood of the song. Tame Impala’s “Lost in Yesterday” masterfully translates the song’s lyrics into visuals, showing how memories become warped over the years as we yearn for the past and romanticize simpler times. Im Laufe der Jahre wurden Musikvideos zu kleinen Kurzfilmen, zu künstlerischer Untermalung der Lieder und zur Visitenkarte des Künstlers. The Best Snapchat Games To Play Right Now, Disable UPnP On Your Wireless Router Already, This Android Wallpaper Can Brick Your Phone. Appropriately, Swift made her directorial debut with “The Man,” a video that transforms her into a stereotypical vision of power and dominance. Miley Cyrus is known for serving confident, provocative visuals –“Mother’s Daughter” was the runner-up on our ranking of 2019’s best videos – and “Midnight Sky,” her first self-directed effort, did not disappoint. “Describe,” finds Hadreas exploring all-new sonic territory, embodying Americana classics like Bruce Springsteen and Tom Petty, with arena-filling slide guitars and roots-rock, blue-collar attitude. It’s almost like watching a big-budget, less embarrassing version of those Photobooth movies you made with your squad in middle school, dancing and lipsyncing to your favourite songs. —Natalia Keogan, The first single from Protomartyr’s forthcoming record, “Processed By The Boys,” has the classic wall-of-noise feel of a Protomartyr track, with the hilarious visual of a C-SPAN studio audience member being harassed by a puppet while Casey sings. It also appears to reference the Jungian shadow concept, which Teen Vogue notes is a recurring metaphor on their most recent album, “Map of the Soul: 7.”. “Why am I embarrassed to sing about that? Perhaps most unexpected is the bare, pronounced, mid-song drum solo, during which chaos breaks out in the song’s dramatic, high-concept video. But the genius of “WAP” doesn’t stop there. —Ellen Johnson, The music video for the title track from Selena Gomez’s 2020 album Rare is nothing short of a jungle fever dream. Kali Uchis and Rico Nasty both serve multiple grunge-glam looks as they casually dismantle a corrupt law enforcement operation, run by men with pig noses and feet. The song features brooding plug-and-chug guitars, but there’s a lightness in their Beach Boys-like backing vocal “bop’s” and a strange bittersweetness in Grian Chatten’s recitation of the phrase “Life’s not always empty.” Another phrase “goes around, goes around” is a subtle nod to their Dogrel track “Too Real,” which features the same line with emphatic power. The video feels like a reintroduction and a clear vision. Insider rounded up the best music videos released in 2020 so far. Choreography for the film was handled by Ryan Heffington, known for his work with Maddie Ziegler for Sia’s “Chandelier” video, as well as Arcade Fire’s “We Exist.” The film has a luscious, glittery sheen and bodily, primeval dancing reminiscent of Luca Guadagnino’s recent Suspiria remake. Suddenly, the camera cuts to two figures dancing expressively and longingly in a dark room, and as soon as we’re reacquainted with Santana, he arises from a bench and begins a similar interpretive dance. The video for “Rare” is a beautiful way to represent finding solace in oneself. 100 der besten und beliebtesten stellen wir Euch heute vor. They always look like they’re having so much fun that it’s impossible not to grin and feel like you’re a part of it, and “Compensating” is no different. —Lia Pikus, Masked country cowboy Orville Peck traverses snowy caps and fields on horseback in this deceptively dreary clip. She looks stunning and confident and like she’s genuinely having fun, which is an instantly winning combination. In our increasingly digital society, “Modern Loneliness” really would have been relatable at any time. The song draws its power from extravagant instrumentation (especially the flute in the intro) and a campy ’80s sample (“Let’s get physical!” should not work as the main lyric in a modern pop song, and yet, it does). The film was shot by Colin Solal Cardo at the Palais Garnier and features Caroline Polachek, who appears on one of the EP’s tracks. and some much appreciated Gaga/Grande hugs. But true to form, Taylor Swift packed “Cardigan” with rich metaphorical resonance, winks to fans, and commitment to the moment. Even a cartoonish version of Sivan, dressed in David Bowie-esque style and bathed in neon lights, can’t perform through the pain. The start of the video for “Nonbinary” finds a human Arca presumably mortally wounded before she’s gradually revived by highly-advanced cyborgs and gracefully reemerges from a shell. "Life Is Good" - Future ft. Drake. The editing creates a dreamlike effect, drenched in colour and bright lighting, that should feel magical – but actually feels tinged with ambient anxiety. In the final scene, two identical Arcas appear while arguing—one dressed in black, and one in white—amid violently shaky cameras and raging flames. Here's what it was like. But “Do It” does exactly that. —Danielle Chelosky, The former One Direction frontman shared the beachside music video for his song “Watermelon Sugar” (from last year’s Fine Line) in May, and it’s a bonanza of sexually suggestive images, from slurps of the titular juicy fruit to the piles of smiling women to Styles pointing his lips skyward and licking them at no one in particular. We took a 4-hour flight on the new Delta Airbus jet that Boeing tried to keep out of the US. It was powerful enough to give the song renewed life as a summer jam, even though it was released a full six months before the video, and paved the way for its eventual ascent to No. ‘Till There’s Nothing Left’ is a commitment. Despite the video’s straightforward, pop-star-sings-to-camera premise, the bondage-inspired outfits and colourful set design are plenty to keep you invested. —Lizzie Manno, Shortly after releasing their new album Women In Music Pt. —Ellen Johnson, The music industry has seen some high-profile sisterhood blossom over the past few months, including this fantastic female collaboration: Lady Gaga and Ariana Grande sing together of Gaga’s Chromatica single “Rain On Me.” “Rain On Me,” the second single released off of her May 29 album, is all about the catharsis—and freedom—of being able to embrace life’s cloudier days. —Lizzie Manno, “Faces” is led by immensely blustery vocal distortion and anchored with a steady, blissfully lulling beat. Rina Sawayama’s “XS” is a high-energy, visually pleasing pop video that casually lambastes the exploitative practices of capitalism, the mental toll of materialism, and the complicity of whiteness – all in less than four minutes. “As soon as we heard the concept, we knew how to take the band’s ideas and coalesce them into this sort of timeless public access chaos,” Faustyn says in a statement. All Rights Reserved, 10. But Bridgers opted to cheekily use a green screen in order to create a magical video, donning a skeleton-print onesie, gliding on electric train tracks and flying over the ocean. “My husband and I will go drive and have a quickie in the back of the car,” she divulges.

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